Whatever stakes you’ve set, they’re not the stakes at all. “With Serenity, I wanted to set up a conventional situation and then – at the most inconvenient moment for the narrative – rip everything away. “Whenever I direct something, I set myself a challenge,” says the man who made Locke, a movie set entirely in a car.
Actually, it hauls out the entire engine block and changes that. (Bizarre given that the film includes a character whose name is “The Rules.”) It sets itself up as a rather cheesy neo-noir, but then changes gears midway. The second reason, closely related, is that Serenity doesn’t play by the rules. And what about McConaughey’s many bare-butt scenes, which put the ass in McConassance? (I know creative spelling.) That is some cheeky programming.
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on his laptop?) and icky – like, did he code scenes of his dad having sex with Constance and, later, Karen? Granted, they’re never too explicit, but even so. The biggest is that the twist is too far-out, and raises questions both benign (like, did a teenager just create a self-aware A.I. The real Baker died in the Iraq War the digital Baker is Patrick’s way of toying with the idea of killing his abusive stepdad, which (additional spoiler alert) he eventually does.Ĭritics have been up in arms for two reasons. The twist, and it’s a howler, comes about an hour in, when we learn that “Plymouth” is actually a computer game created by Patrick (Rafael Sayegh), Karen and Baker’s son. And then one day his ex-girlfriend Karen (Anne Hathaway) shows up and asks if he’ll kill her abusive husband (Jason Clarke). Article contentīaker spends most of his time trying to catch a tuna he calls Justice when he runs out of money he sleeps with Constance (Diane Lane), who pays him for the pleasure. This advertisement has not loaded yet, but your article continues below.
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